The Social Network

IAB SETS NEW RULES FOR

GREATER PROTECTION OF PRIVACY ON SOCIAL MEDIA 

With social media overtaking e-mail as the most used consumer activity, the Interactive Advertising Bureau has recently issued  a list of Best Practices to “protect consumer privacy, ensure transparency for what and how data is being used and to define consumer permissions.” 

The IAB undertook this task because of the increased use of social networks by advertisers and the way profile data and social graph data was being used to target their ads. 

In general the new code deals with issues like obtaining consent to collect data and determining how it can be used. Any ad must be shown to the consumer who is allowed to select and limit distribution. Consumers must be notified of any data the advertiser accesses about him/her and it must be presented in a way that simplifies understanding. You can find more info on the IAB web site

 

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Categories: The Social Network
Posted by charles on Wednesday, May 20, 2009 1:03 AM
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The Broadcast World

 

FOX  LOST NO TIME IN WELCOMING

MISS USA RUNNER-UP TO ITS PROGRAMMING 

On the same day that controversial beauty queen Carrie Prejean appeared on Fox & Friends along with Donald Trump, the owner of the Miss USA competition, the TV program invited her to return as co-host for a day.  

Suzanne Scott, the Fox News vp of programming, justified the choice in the Washington Whispers column written by Paul Bedard. She explained that the channel was “just using her one time to sit with the boys (co-hosts Brian Kilmeade and Steve Doocy) and have some fun.” She went on to point out that Prejean “had become a national celebrity and it’s a fun thing to do and a good way to try to get a little buzz and fun for the show.” 

Prejean, of course, was the center of a controversy that began with her opposition to gay marriage that she stated when answering a question from blogger Perez Hilton, one of the Miss USA judges.  

It is amazing that a major broadcaster would stoop to this “cheap shot” just to put “a little buzz and fun” into its early morning show. That’s pretty FOXey,

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Posted by charles on Wednesday, May 20, 2009 1:00 AM
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The Digital World

IS THE BALLOON ABOUT TO BURST?

SOME DISTURBING NEWS ABOUT TWITTER 

After months of capturing headlines and reports of phenomenal growth, we’re beginning to hear some concerns about the future health of Twitter. No one denies that the sign-up rate continues at a remarkable pace, but what about drop-outs? 

eMarketer predicts that Twitter subscribers will reach 12 million by the end of 2009. That doubles the previous year’s total. But at the same time, Nielsen Online finds that the site’s retention rate is only 40%. Currently, more than 60% of American twitterers “fail to return the following month,” according to the Neilsen Blog. 

Right now, comscoreMediaMetrix reports that 25 to 54-year olds are the largest group of new users, creating an interesting contrast to other social media where growth comes principally from 18-24-year-olds. That too has observers wondering about the long-term viability of this digital sensation.   

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Posted by charles on Wednesday, May 13, 2009 12:00 AM
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The Book World

NOVELIST PLANS TO VISIT

100 BOOKSTORES TO PROMOTE HIS NEW BOOK 

How’s this for determination? Author Marc Fitten plans to visit 100 indie bookstores to promote his new novel Valeria’s Last Stand. Fitten’s journey began on April 29, and according to ABA”s  Bookselling This Week, he is averaging four to five hours on the road daily. 

Fitten hopes to collect unique information about the various Indie stores he visits. He explains, “One of my goals is to collect the best 25 ideas and present them to booksellers at a conference.”   

Most of the tour will take place on the East and West coasts. He is chronicling his trip on his WordPress blog and with posts on Twitter. 
 

APOLOGY:  Please forgive us. We just discovered that a large portion of last week’s Charlie’s Choice column somehow was lost when posted to the blog. That has been corrected, and we apologize for the inconvenience. The complete text is now available in the archives. 

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Posted by charles on Tuesday, May 12, 2009 11:59 PM
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Charlie’s Choice

Charlies Choice

Weekly Tips to Help You Write,

Publish & Promote Your Work 

SECRETS OF COMPOSING A

QUERY LETTER THAT SELLS 

      One of the most important items in a professional writer’s tool box, the query letter is the key to unlocking the door of a magazine editor’s office. With very few exceptions, editors don’t want completed manuscripts sent to them. Their schedules are too busy to allow them to read every submission. Editorial protocol requires the writer to request permission to send the completed article. That is done with a query letter, designed to spark the interest of the editor and

allow him/her to see how well suited the proposed article is for the magazine.

      Opinions vary widely on how to construct this important document, but any effective query should include these two basic elements. It must demonstrate to the editor that the subject of the article will be of value to readers of that specific magazine and assure him/her that you are qualified to produce the piece. The editor must be convinced that the approach you take to your subject makes sense and will appeal to his/her readership.

      That may seem like an awful lot to do within the confines of one single-spaced page. But it is generally accepted in the industry that if you can’t describe your article well and demonstrate that you are the best person to write the piece within a single page, you don’t have a real grasp on your subject.

      (If you are writing for a newspaper, do not submit a query. Daily newspaper editors are far too busy meeting deadlines to read a query and respond to it. They much prefer submission of your completed manuscript.)

      If your query accomplishes its task successfully, the response from the editor will be an invitation to send him/her the finished manuscript. However, the editor may suggest a specific approach to the article or perhaps want you to add something additional to your story before you submit the actual manuscript. That is one of the principal reasons editors prefer receiving a query first before they see the completed story.

      You have the choice of sending your query either by snail mail or as an e-mail. Check the magazine’s web site to determine whether the editor has specific preference.

Target Your Query Carefully

      Don’t send off a query until you have reviewed at least one current edition of the magazine. Study it carefully to determine the writing style the editor prefers and the type of content the publication features. Review my column of April 22 in which I spoke about reading like a writer. That means studying each component part of a magazine so that you can tailor your writing to the likes its editor and avoid any dislikes.

      Once again, I urge you to purchase your own copy of the Writer’s Market, to help you select the most appropriate target for your query. As I have indicated in previous columns, the directory will give you most of the basic data you require for submission. I also recommend the online directory The Wooden Horse as an excellent source for info on magazines.

      Most publications maintain their own web sites. Click on the magazine’s name in your favorite search engine, and search for writer’s guidelines.

      Always remember, calling an editor on the phone should be a matter of last resort. Editors are busy. They must meet tight deadlines. Designing and executing an edition of the magazine is a very challenging task. Phone calls can be terribly disruptive. Unless the editor specifically invites you to call, don’t do it.

      Some editors insist upon exclusivity when you query; others have no objection to you sending out multiple queries.  The listing on the directories or on the publication’s web site will specify the editor’s preference. If you are sending multiple submissions, mention it in your query letter No editor likes to be caught short when planning a future edition only to discover that you have given first rights to a competitor.  

Simple and Specific

      There are two essential guidelines to writing an effective query: simplicity and specificity.

You are writing a business letter, not a literary masterpiece. While the quality of your writing will be a factor, the essence of the query is selling your idea and yourself to the editor. The opening paragraph of your letter must capture the editor’s interest. If it does not, the query will end up in the “round file.”

      The next graph or so should reveal the essence of the article simply and directly. The letter should indicate the market for the article. Here you must be absolutely specific and factual. For example, There isn’t just a “large” market for the piece. The potential readers for this article in this niche market number as high as X, according to a report by __________.

      The editor is not interested in what your friends or family think of the book. So don’t be like the many writers who try to prove the value of the piece by explaining “everyone in my family I showed the book to has loved it, including my Uncle David who is a professor.”  If you have an endorsement from someone with credentials in the field, absolutely include that in the letter.

    The editor wants to know your qualifications to write the article. Again, be very specific about your background, but realize this is not a resume. Simply highlight your training and/or experience that relates directly to the book’s subject.

The Mechanics

      Discuss only one article in your query. Save the rest of your brilliant ideas for future contacts. It is hard enough to pitch one article well in a one-page query.

      The query letter must have a professional appearance. There can be no misspellings and grammar must be perfect. Use plain white 8 ½ X 11 paper and black ink. Color or other gimmicks will hurt, not help, your sale. Single space your letter. Address it to the specific editor who handles acquisitions, as outlined in the directory.  Be absolutely certain of the spelling of the editor’s name and title.

      Never forget to include a stamped and addressed return envelope with your query. If no SASE accompanies the query, you can be quite certain it will end up in the waste basket.

      In most directories, the magazine’s listing will estimate the time it normally takes for a reply. If you have not heard in that period of time, you can feel free to follow up with another letter. If no time period is listed, I suggest you follow up if you have not heard in two months.

      Because trade journals represent such a receptive and lucrative market for freelance article writers, we’ll devote next week’s column exclusively to this segment of the periodical world.  See you next week.

Keep Writing! 

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Posted by charles on Tuesday, May 12, 2009 11:58 PM
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The Publishing World

BLENDING ON AND OFFLINE NEWSROOMS 

As the newspaper industry continues to falter, there’s been lots of talk and several lackluster attempts to balance content on and offline cost-effectively. Always a leader in the news world, the Washington Post is making a pioneering effort to actually  produce and present both seamlessly. 

Marcus Brauchi, the expert who merged the newsrooms at the Wall Street Journal, has been planning a similar effort at the Post since joining the staff last autumn. When he first arrived, the print staff worked out of a newsroom in Washington and the digital division was headquartered in Arlington, VA. 

Under the reorganization, everything now is centralized in the D.C. newsroom. Brauchli explained in an internal memo,” We want to simplify the handling of word, pages, images and new media, building on the prescient move to ‘two-touch’ editing.” The Multiple Layers of Editing that characterized the Post’s operation have along been a bone of contention among staffers. 

The reorganization is as much a cost-saving response to the general economic meltdown as it is an effort to preserve the prestigious print daily and supplement it with a functioning and lucrative online presence. Brauchli hopes to accomplish the dual tasks by training editors and writers to produce in both these important media. 

Hopefully, this will set a paradigm for struggling dailies to follow. 

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Posted by charles on Tuesday, May 12, 2009 11:57 PM
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The Publishing World

ANDERS GYLLENHAAL, EXEC EDOF THE MIAMI HERALD,

SELECTED TO BE THE NEW CHAIR OF THE PULITZER PRIZE BOARD  

The newly appointed chair of the Pulitzer Prize Board comes to the position with some first-hand experience. Not only has he served as a member of the prestigious board since 2001, his team at the Miami Herald has captured two of the coveted prizes during his tenure as Executive Editor.  

Gyllenhaal has served as the Executive Editor of the News & Observer in Raleigh and as Editor of the Star Tribune in Minneapolis. 

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The Publishing World

SEVERAL SURPRISES LIFTED SPIRITS

AT THE NATIONAL MAGAZINE AWARDS 

With shut downs and layoffs highlighting the past year, spirits weren’t as high as usual at the 44th celebration of the National Magazine Awards. However, spirits were buoyed a bit by some surprise awards. After 20 years without a nomination, Reader’s Digest outpaced publications like National Geographic and Martha Stewart Living to win a general excellence award for magazines with more than 2 million circulation. 

Field & Stream amazed the crowd by capturing the general excellence award for the 1 to 2 million range, outdoing prime contender like New Yorker, Popular Science and Vogue. The big winners were Esquire, New Yorker, Wired and Backpacker. Each captured three Ellies.

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Posted by charles on Tuesday, May 12, 2009 11:55 PM
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The Publishing World

READING IS ON THE RISE

NEA SURVEY SHOWS FIRST INCREASE IN 25 YEARS 
 

Amidst all the chatter over failing newspapers, abandoned magazine titles and slippage in book sales, it was so refreshing to go back to the first of this year and re-read the results of  the 2008 National Endowment for the Arts survey of readership in the United States. 

The NEA has been one of the leading purveyors of gloom and doom, releasing study after study showing fall-off in readership at grade school, teen and even adult levels. In several speeches and writings, I have challenged those figures based on the findings of other studies. 

The annual analysis of book sales conducted by the Association of American Publishers reports a steady trend of increases in the number of units sold per year. Are they being bought for shelf decorations? What do you think those buyers are doing with all of those titles if they’re not reading them?   

The AAP found that the number of units (individual books) sold last year grew by 7.2%. Interestingly, the NEA announced a finding that readership among adults rose by 7%. 

NEA states in its report that the U.S. population now breaks into two almost equally sized groups of readers and non-readers, with readership of books in any format totaling 119 million. One of NEA’s most reassuring findings was the fact that young adults (18-24-year-olds) posted the largest increase 

Perhaps we might be able to see a continuing upward climb in readership if we all stopped crying and recognized that the drop in periodical subscriptions and the alleged drop in print book sales is not the result of a shrinking population of readers. It represents a major shift in the way readers read. Interest in print text has slipped, while online readership has burgeoned. That’s a chilling fact of life for bookstores, but one to which authors can adapt with little difficulty.  

The publishing industry would do itself and the nation a favor if it curtailed its emphasis on quantity and devoted its energy to turning out books of a higher quality. More than 480,000 brand new titles appeared on the market last year, and a frightening percentage of them aren’t worth the shelf space they take up.  

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Posted by charles on Wednesday, May 06, 2009 12:18 PM
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The Book Industry

JUDGE EXTENDS DEADLINE TO OPT OUT

OF THE GOOGLE BOOK SEARCH SETTLEMENT

The May 5th deadline for opting out of the Google Book Search project has been extended for four additional months. Judge Denny Chin announced the delay until September in response to a group of authors led by Gail Knight Steinbeck. 

Although the settlement that Judge Chin was reviewing was based upon input from several writers organizations, a number of authors were reluctant to agree to it. They were uncomfortable with the complexity of the agreement which gives them the right to object to it or opt out of participation. 

It’s now up to groups like the  Authors Guild and the Association of American Publishers to explain the ramifications of the proposed settlement and how it will affect individual writers. 

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Categories: The Book Industry
Posted by charles on Wednesday, May 06, 2009 12:17 PM
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