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Charlie’s Choice
Weekly Tips to Help You Write,
Publish & Promote Your Work
MARKETPLACE RESEARCH: SELECTING THE
BEST HOME FOR YOUR ARTICLE OR BOOK
The time to begin the second phase of your research—we covered fact research last week—is even before the article or book is completed. Different magazines often approach a specific subject from different perspectives, and therefore you should be aware of where you intend to place your piece as you write it.
With nonfiction books, it is the content that drives your choice. You write, and your search for a literary agent and/or publisher is guided by the subject and the way you choose to handle it. Fiction writers generally search for agents and publishers that historically have worked within their genre, just as nonfiction authors look for agents who have successfully published other books in the subject they write about. For any writer, much of the success your work enjoys depends on the choices you make
Making them may sound like a daunting challenge to some of you. In fact, it is not that difficult at all if you follow a logical path when you undertake your market research. Many tools exist to guide you through the morass of periodicals, agents and book publishers.
Analyze Your Potential Markets
First you must create a list of all the potential markets for your work, keeping in mind that every magazine has its own readership. Similarly, every agent has preferences of subject and genre, as does each publisher. A professional author studies the markets carefully before ever sending a query or a manuscript.
Don’t hesitate to include any potential that you think makes sense. Of course, you stand a better chance of acceptance with a lesser-known publication, but if you feel your manuscript and the way you handle the subject is an ideal match for one of the more prestigious periodicals or publishers, take the risk.
Obviously, experience and name recognition are major factors in any editor or agent’s decision. But if a presentation that crosses his/her desk seems outstanding or unique, there is a strong chance it might be accepted or at the very least be given a careful evaluation. If not, you have little to loose other than a jolt to your ego.
Publication Directories
Publication directories come in both print and digital format. Some of these are far too costly for an individual writer to own, but are available in most libraries. The Gale Directory of Publications and Broadcast Media (GDPBM): covers over 58,500 newspapers, magazines, journals, and periodicals, radio, television, and cable stations and systems in the U.S. and Canada. In its digital form, the file includes 86,000 listings. Burrelles Luce too lists thousands of media outlets, as does Cision Media Sources, formerly Bacon’s.
At the end of this column, I will give you a list of directories covering the most popular media categories. But there are several I think will be particularly useful to you that I will describe here in some detail.
WRITER’S MARKET – This very special directory is available in print or digital form. It is chock full of invaluable information for a writer, and many cherish it as their marketing bible. It contains sections on periodicals, literary agents and book publishers. Right now, we’ll take a special look at the periodicals sections. Agents and publishers will be discussed along with other directories that specialize in those categories.
The section is divided into 384 pages of consumer magazine listings covering 50 broad topics, with many subtopics within them. Similarly, the section on trade journals spreads over 138 pages of listings on 56 topics, each with its own subtopics. Very few subjects exist that are not covered by this directory.
The listings generally include the following valuable information:
The contact person’s name and address
Preferred method of submitting
General requirements
Preferred length or parameters within which you can write
Circulation of the magazine
Percentage of freelance vs. staff-written articles
Tips to help you place
Reading Like a Writer
Simply perusing the listings of a directory is not enough to make an enlightened decision. You must read the magazine itself to know whether or not it represents a real potential for you. But reading like a writer is very different from the way you have read in the past. It is not done purely for your enjoyment; its purpose is to understand better the essence of the magazine
to see how comfortably your idea will fit in.
Start with the Editor’s or Publisher’s Column, one of which will appear near the front of the publication. That often will gjve you some insight into their thinking. Turn next to the front cover and study the tags lines. They relate to the stories the editors feel will most intrigue their readers. Review the briefs that often appear near the front. They can be an excellent place to break into most magazines.
You may be surprised when I suggest this, but read the advertising pages carefully will give you a wealth of information. Madison Avenue professionals do extensive research before they spend their dollars in a periodical. Their ads can tell you a great deal about the magazine’s audience from their choice of product, cost level and degree of style. Capitalize on the monies these agencies spend to investigate a magazine.
I also urge you to visit the web site of the periodicals you are targeting. While these are designed primarily for consumers, they often have sections giving authors the information they need to submit.
Finding an Agent or a Publisher
Specific directories are published to help you locate the best fit in an agent or a publisher. Writers Digest books updates its directory of agents each year to include literary and script agents, publicists and conferences.
Well known literary agent Jeff Herman publishes Guide to Book Publishers, Editors and Literary Agents. It lists 200 of the best known agents who offer insider tips for authors. In addition to volumes devoted specifically to these categories, Writer’s Market includes a much shorter, but very detailed, list of literary agents and publishers, both major and indie.
All of these directories will give you insight into the preferences of agents and publishers in addition to the basic submission information on how to submit, to whom to submit and the format in which the agent or publisher wants to see your handiwork. They will be of enormous help, but be sure to supplement them by studying the appropriate web sites in detail.
Next week, we’ll shift gears and look at a subject that a number of people enquired about: how best to schedule their time to complete their writing without destroying their outside jobs or their personal lives. That is always a thorny problem for a writer. If any of you have suggestions to include, send me an e-mail this week at carosbooks@gmail.com and we’ll try to include them and credit you as well. See you then.
Keep Writing!
DIRECTORIES OF PERIODICALS, AGENTS & PUBLISHERS
PERIODICALS
Writer’s Market from Writer’s Digest Books (print & digital)
The Wooden Horse (digital)
Burrelles Luce (print & digital
Cision Media Source (formerly Bacon’s) (digital)
Gale Directory of Publications (print & digital)
Editor&Publisher International Yearbook (newspapers)
PUBLISHERS
Yahoo Directory
Association of American Publishers (AAP)
Publishers Global
Jeff Herman’s Guide to Book Publishers, Editors and Literary Agents
nycip.org (indies)
ibpa-online.org (indies)
LITERARY AGENTS
Jeff Herman’s Guide to Book Publishers, Editors and Literary Agents
2010 Guide to Literary Agents, Writer’s Digest Books
Writers.net
Technorati Profile
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